Images are clean with minimal grain on medium format and isn’t substantially more on 35mm. The Acros 100 does well shooting into the sun while things become really contrasty when pushed. A whole three stops will not trouble this film negative one bit. Also, overexpose according to how much shadow you’d like to retain. It's films like these that save you time because post processing is almost not required. We truly like Fuji’s Acros and it’s not merely down to nostalgia.
Knowing that they have been discontinued, we’ve bagged heaps only to find version II will soon be released.
Shot on Canon 300V paired to a Canon EF 35mm f/2 IS &