Images are clean with minimal grain on medium format and isn’t substantially more on 35mm. The Acros 100 does well shooting into the sun whereby things become really contrasty while pushing a whole three stops will not trouble this film stock one bit. Also, overexpose up to a full stop depending on how much shadow you’d like to retain. It is films like these that saves you time because post processing is almost not required. We truly like Fuji’s Acros and it’s not merely down to nostalgia.
Knowing that they have been discontinued, we’ve bagged heaps only to find version II will soon be released.
Shot on Canon 300V paired to a Canon EF 35mm f/2 IS &
ANALOGUE: Ilford HP5+ 400
ANALOGUE: Kodak Tri-X 400
ANALOGUE: Ilford Delta 400